...and what you need to keep in mind through the poem below is... Obama's father left him when he was two! More Obamidian information here.
Sunday, May 18, 2008
Why Barack Obama is not John Kerry.
Not my usual thing, I know, but I have to say that Barack Obama's poetic juvenillia is not at all bad, written while he was a student aged about 20 and published in a now-defunct journal. Since its now defunct I suppose it might be safe to post one example, which I can at least say I mostly understand even at first reading. This poetry takes a bit of talent to produce, and that's what makes Obama clearly different from Kerry and makes the significance of his liberal hauteur much harder to read. Maybe Obama's just got something. From the New York Times, which just got me on their member's list.
Sitting in his seat, a seat broad and broken
In, sprinkled with ashes
Pop switches channels, takes another
Shot of Seagrams, neat, and asks
What to do with me, a green young man
Who fails to consider the
Flim and flam of the world, since
Things have been easy for me;
I stare hard at his face, a stare
That deflects off his brow;
I’m sure he’s unaware of his
Dark, watery eyes, that
Glance in different directions,
And his slow, unwelcome twitches,
Fail to pass.
I listen, nod,
Listen, open, till I cling to his pale,
Beige T-shirt, yelling,
Yelling in his ears, that hang
With heavy lobes, but he’s still telling
His joke, so I ask why
He’s so unhappy, to which he replies...
But I don’t care anymore, cause
He took too damn long, and from
Under my seat, I pull out the
Mirror I’ve been saving; I’m laughing,
Laughing loud, the blood rushing from his face
To mine, as he grows small,
A spot in my brain, something
That may be squeezed out, like a
Watermelon seed between
Pop takes another shot, neat,
Points out the same amber
Stain on his shorts that I’ve got on mine, and
Makes me smell his smell, coming
From me; he switches channels, recites an old poem
He wrote before his mother died,
Stands, shouts, and asks
For a hug, as I shrink, my
Arms barely reaching around
His thick, oily neck, and his broad back; ’cause
I see my face, framed within
Pop’s black-framed glasses
And know he’s laughing too.